
Professors
NOBUKO IMAI
Formerly a member of the esteemed Vermeer Quartet, Ms. Imai combines a distinguished international solo career with various teaching commitments. She has appeared with numerous world's prestigious orchestras including the Berlin Philharmonic, the Royal Concertgebouw, the London Symphony, and the Chicago Symphony. As a keen chamber musician, Ms. Imai has performed with various prominent artists such as Gidon Kremer, Midori, Isaac Stern, Mischa Maisky, and Martha Argerich. In 2003, she formed the Michelangelo Quartet. The quartet gained the international reputation quickly and now became one of finest quartets in the world. Ms. Imai has dedicated a large part of her artistic activities to explore the diverse potential of the viola.
She returns to Japan several times a year, to perform as soloist and notably for the annual "Viola Space" project. In 1995/1996 Nobuko Imai was artistic director of three Hindemith Festivals at the Wigmore Hall in London, at Columbia University in New York and at the Casals Hall in Tokyo. In 2009 she founded The Tokyo International Viola Competition, the first international competition in Japan exclusively for viola.
An impressive discography of over 40 CDs shows her recordings for BIS, Chandos, Hyperion, Philips, Sony among others. Ms. Imai taught as a Professor at the Hochschule für Musik Detmold from 1983 to 2003 and at the Geneva Conservatory from 2003 to June 2014. She currently teaches at Amsterdam Conservatory, Kronberg Academy and Queen Sofia College of Music in Madrid.
GARTH KNOX
Garth Knox was born in Ireland and spent his childhood in Scotland. He studied with Frederic Riddle at the Royal College of Music in London where he won several prizes for viola and for chamber music. Thereafter he played with most of the leading groups in London in a mixture of all repertoires, from baroque to contemporary music.
In 1983 he was invited by Pierre Boulez to become a member of the Ensemble InterContemporain in Paris, which involved regular solo playing, including concertos directed by Pierre Boulez, and chamber music, touring widely and playing in international festivals.
In 1990 Garth Knox joined the Arditti String Quartet, which led him to play in all the major concert halls of the world, working closely with and giving first performances of pieces by most of today's leading composers including Ligeti, Kurtag, Berio, Xenakis, Lachenmann, Cage, Feldman and Stockhausen (the famous“Helicopter Quartet”).
In 1998, Garth Knox left the quartet to concentrate on his solo career. As a soloist, he has given premieres by Henze (the Viola Sonata is dedicated to him), Ligeti, Schnittke, Ferneyhough, James Dillon, George Benjamin and many others. He also collaborates regularly in theatre and dance projects, and has written and performed a one-man show for children.
He has recently become a pioneer of the viola d’amore, exploring its possibilities in new music, with and without electronics, and is in the process of creating a new repertoire for this instrument.
Garth Knox now lives in Paris, where he enjoys a full time solo career, giving recitals, concertos and chamber music concerts all over Europe, the USA and Japan. He is also an active composer, and his «Viola Spaces », the first phase of an on-going series of concert studies for strings (published in 2010 by Schott) combines ground-breaking innovation in string technique with joyous pleasure in the act of music making. The pieces have been adopted and performed by young string players all over the world.
Garth Knox is International Visiting Professor at the Royal Academy of Music in London.
TIMOTHY RIDOUT
Timothy Ridout, a BBC New Generation Artist and Borletti-Buitoni Trust fellow, is one of the most sought-after violists of his generation. This season he appears as soloist with the BBC Symphony Orchestra, Tokyo Metropolitan, hr-Sinfonieorchester, Odense, San Jose Symphony orchestra and Netherlands Chamber Orchestra, amongst others. In 2020, Ridout won Hamburger Symphoniker’s inaugural Sir Jeffrey Tate Prize and joined the Bowers Program of the Chamber Music Society of the Lincoln Center in 2021.
Other highlights this season include recitals and chamber concerts at Wigmore Hall, Concertgebouw Amsterdam and Philharmonie Köln. Further afield, Ridout embarks on a South American tour with the Chamber Society of the Lincoln Centre, returns to Taipei for a series of concerts, and tours Australia with Musica Viva.
In recent seasons, Ridout has made his debut with the Chamber Orchestra of Europe, Orchestre de Chambre de Paris, Hamburger Symphoniker, Orchestre National de Lille, Camerata Salzburg, Graz Philharmonic, Orchestre de Chambre de Lausanne, the Hallé, BBC Symphony, Philharmonic and Philharmonia Orchestra, and performed the Walton Concerto at the BBCProms/Sakari Oramo and with the Tonhalle-Orchester Zürich/David Zinman. He has also worked with conductors including Christoph Eschenbach, Lionel Bringuier, Gabor Takács-Nagy, Sylvain Cambreling, Nicholas Collon and Sir Andras Schiff.
Sought after as a chamber musician, Ridout has taken part in numerous festivals across Europe, including Rheingau, Bergen, Rosendal, Mecklenburg-Vorpommern, Sion and Lockenhaus, and regularly collaborates with leading international artists including Janine Jansen, Steven Isserlis, Joshua Bell, Isabelle Faust, Kian Soltani, Benjamin Grosvenor, Nicolas Altstaedt and Christian Tetzlaff, among many others.
Ridout records for the Harmonia Mundi label. His latest album – ‘A Poet’s Love’ –was recorded with pianist Frank Dupree and features selections from Prokofiev’s Romeo and Juliet and their own transcription of Schumann’s Dichterliebe. New releases include, amongst others, Berlioz Harold en Italie with Orchestre Philharmonique de Strasbourg/John Nelson on Warner/Erato, and Bloch Suite for Viola and Orchestra and Elgar Concerto with BBC Symphony Orchestra/Martyn Brabbins.
Born in London in 1995, Ridout studied at the Royal Academy of Music, graduating with the Queen’s Commendation for Excellence. He completed his Masters at the Kronberg Academy with Nobuko Imai in 2019 and, in 2018, took part in Kronberg Academy’s Chamber Music Connects the World.
He plays on a viola by Peregrino di Zanetto c.1565 – 75 on loan from a generous patron of Beare’s International Violin Society.
MACARENA PESUTIC
Artistic director of Tenerife Viola Masterclass, Macarena is a winner at the RWE Competion in Leipzig, and two times winner at the Music Teachers National Association of the USA (chamber music division).
Performances as a soloist include the Orquesta Sinfónica de Concepción (Béla Bartók viola concerto), Sinfonieorchester Warendorf, Orquesta del Conservatorio Superior de Música de Canarias and Orquesta Sinfónica de Tenerife.
She has been invited to festivals such as Academie Internationale d’eté de Nice (France), International Musicians Seminar (UK), Kneisel Hall Chamber Music Festival and Apple Hill Chamber Music Festival (USA), Holland Music Sessions (Holland), Kuhmo Chamber Music Festival (Finland) and the Thy Chamber Music Festival (Denmark). She has taken master classes with renowned musicians as Thomas Riebl, Shmuel Ashkenasi, Samuel Sanders, Wolfram Christ, Wladimir Mendelssohn, Hariof Schlichtig, Aaron Rosand, Tibor Varga, Christophe Poppen, Ferenc Rados, Hans Dittrich Klaus, Eberhart Feltz, the Vermeer and the Juilliard Quartet.
Born in Concepción, Chile, Macarena Pesutic studied violin with Américo Giusti, Jaime de la Jara, Alberto Dourthé, Patricio Cobos and Manuel Díaz. She studied viola at the Hochschule für Musik Detmold with Nobuko Imai and at the Hochschule für Musik Felix Mendelssohn-Bartholdy with Tatjana Masurenko.
As a recitalist and chamber music musician, past seasons included engagements with Quantum Ensemble, ATADEM, Fundación Nino Díaz, Círculo de Bellas Artes de Tenerife and Ensemble Villa La Orotava, among others.
She teaches viola at the Conservatorio Superior de Música de Canarias since 2005. She was Artist in Residence 19/20 at the Ateneo La Laguna.
Macarena Pesutic plays on a 1750 german viola, from an anonymous maker.
VEIT HERTENSTEIN
German violist Veit Hertenstein plays with “admirable precision, dedication and strong musical expression“ (Augsburger Allgemeine 2013) as well as “maturity, technique, thoughtful musicianship, and a tone of dark honey” (The Boston Musical Intelligencer 2013).
Mr. Hertenstein is Professor for Viola at the Musikhochschule Detmold, Germany and at the Royal Northern College of Music in Manchester, England. Furthermore he founded the Orion String Trio.
Mr. Hertenstein has been invited to the Marlboro Music Festival, the Seiji Ozawa International Music Academy, the Viola Space Festival Tokyo, Menuhin Festival in Gstaad and the Verbier Festival, where he was awarded the “Henri Louis de la Grange” viola prize. He has also been several times invited to the La Folle Journée Festival in Nantes and Tokyo.
As a chamber musician he collaborated with Trio Wanderer, Modigliani and Ysaye Quartets, Brigitte Engerer, Valentin Erben (Alban Berg String Quartet), Nobuko Imai and with Midori.
In the United States Mr. Hertenstein performed in concert halls such as The Merkin Hall in New York and The Kenendy Center in Washington D.C., after winning First prize as well as eight performance prizes in the Young Concert Artists International Auditions 2011 in New York City.
Mr. Hertenstein has won several prestigious competitions. In 2009 he was the first violist to win the New Talent Competition of the European Broadcasting Union in Slovakia founded by Yehudi Menuhin, which was followed by world-wide radio broadcasts. He was a prize-winner of the first Tokyo International Viola Competition 2009. In 2007 he was the first violist to win First Prize at the Orpheus Competition in Zurich, Switzerland, which enabled him to record his debut CD with Euro Classics.
Pro Helvetia commissioned a Viola Concerto by Swiss composer Nicolas Bolens which was premiered in Geneva 2014.
Born in Augsburg, Germany, Mr. Hertenstein began studying the violin and piano at the age of 5 and switched to the viola when he was 15. In 2009 he graduated with distinction from the Haute Ecole de Musique in Geneva, where he worked with violist Nobuko Imai. He also has been artistically influenced by György Kurtag, Krzysztof Penderecki, Gabor Takács-Nagy, Yuri Bashmet and Kim Kashkashian.
2011 until 2017 Mr. Hertenstein was the principal violist in the Basel Symphony Orchestra in Switzerland.
MINZE KIM
The pianist Minze Kim began her musical education at the Conservatory Kyungpook National University in her hometownDaegu/Korea. She continued her artistic studies at the Hochschule für Musik Detmold, initially with Hartmut Schneider, before graduating in 2016 with the highest solo degree (Konzertexamen) in the class of renowned pianist Anatol Ugorski. She also received further artistic impulses in master classes with András Schiff and Sergei Edelmann, among others.
During her studies, she won the "Musik und Vermittlung" competition, which the Hochschule für Musik Detmold organized for the performance of interdisciplinary concert concepts.
She is a lecturer at the Detmold University of Music and also gives concerts as a sought-after chamber musician and song accompanist.
In 2020 she made a viola and piano CD recording of two sonatas by Schostakovich together with Prof. Veit Hertenstein for Hässler Classic.
Mention should be made of her very successful participation at the "Eurovision" Festival in Edinburgh, as well as in the masterclasses of Prof. Diemut Poppen in the Music Academy Sion 2022. She also has made a guest appearance at the Viola Festival in Amsterdam.
JAVIER LANIS
Acclaimed by critics, Javier Lanis’ performances stand out for their exquisite sensitivity and boundless musical energy. Winner of the Claudio Arrau International Piano Competition he has also received distinctions from the Chopin Society, Ministry of Foreign Affairs and Corporación Amigos del Teatro Municipal de Chile.
He has appeared as a soloist with the Orquesta Sinfónica de Tenerife, Orquesta Sinfónica Nacional de Chile, Orquesta Sinfónica de Concepción, Ensemble Vinorosso, Nordwestdeutsche Philharmonie, Dogma Chamber Orchestra, among others, performing with conductors such as Ola Rudner, Juanjo Mena, Joachim Harder, Víctor Pablo Pérez, Rodolfo Fischer, Mika Eichenholz, David del Pino Klinge or Karl-Heinz Bloemeke. He has collaborated with renowned musicians like Nobuko Imai, Karine Georgian, Marcio Carneiro, Marco Rizzi and attended the Norfolk Chamber Music Festival (2000) where he worked with Claude Frank, Lilian Kallir, Boris Berman, Tokio String Quartet and Vermeer String Quartet.
Lanis has performed in important concert halls including Beethovenhalle (Bonn), Bösendorfer-Saal (Vienna), Purcell Room (London), Sala Rachmaninoff (Tchaikovsky Conservatory, Moscow). Furthermore, he has played in Israel, Slovakia, France, Japan, USA, Argentina, Spain and Chile. In 2016 he was invited to the “Grandes Pianistas” concert series of the Teatro Municipal de Santiago de Chile.
He has made recordings for the British, Danish, Chilean and German (WDR) radio as well as appearances for the TV of Chile (TVN, Station 13) and spanish television RTVE.
Born in Santiago de Chile, Javier Lanis studied with Elisa Alsina, Robert Roux, and Anatol Ugorski at the Facultad de Artes de la Universidad de Chile, Rice University (USA), and the Hochschule für Musik Detmold (Germany), respectively.
He has been assistant teacher for Anatol Ugorski’s class in Detmold, Germany and since 2005 he teaches at the Conservatorio Superior de Música de Canarias (Tenerife)
About
The concept of a festival jointly led by violists Nobuko Imai and Macarena Pesutic was conceived eight years ago in the Canary Islands. The Canarian Conservatory of Music in Tenerife and the Auditorio de Tenerife, both featuring excellent facilities and a state-of-the-art auditorium, provide an inspiring environment for music-making, with stunning views of the Atlantic Ocean.
With the goal of promoting innovative musical concepts and enriching the cultural landscape of the Canary Islands, Tenerife Viola Masterclass, Asociación Cultural Resonancias and Auditorio de Tenerife are now accepting applications for the Tenerife International Viola Competition 2025.
On November 18, 19, and 20, 2025, candidates selected for the first and final rounds of the competition will have the unique opportunity—at no additional cost—to attend masterclasses with jury members and receive coaching from Javier Lanis and Minze Kim, the official pianists of the festival. Furthermore, Kiyoko van Bochove will offer one-on-one coaching sessions tailored to each musician’s artistic and personal growth. She will also lead a workshop focused on essential skills to strengthen participants’ artistic expression and confidence.
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El concepto de un festival codirigido por Nobuko Imai y Macarena Pesutic, dedicado a la viola, fue concebido hace ocho años en las Islas Canarias. Con una infraestructura de primer nivel y excelentes salas de conciertos, el Conservatorio Superior de Música de Canarias en Tenerife y el Auditorio de Tenerife ofrecen un entorno ideal para la creación musical, enmarcado por la belleza de la isla y sus vistas al océano Atlántico.
Con el objetivo de promover conceptos musicales innovadores y enriquecer la oferta cultural de las Islas Canarias, Tenerife Viola Masterclass, la Asociación Cultural Resonancias y el Auditorio de Tenerife anuncian la apertura de la convocatoria para el Tenerife International Viola Competition 2025.
Los días 18, 19 y 20 de noviembre de 2025, los candidatos seleccionados para la primera y la última ronda del concurso tendrán la oportunidad única -sin coste adicional- de asistir a clases magistrales con los miembros del jurado y recibir coaching de Javier Lanis y Minze Kim, pianistas oficiales del festival. Además, Kiyoko van Bochove ofrecerá sesiones individuales de coaching adaptadas al crecimiento artístico y personal de cada músico. También dirigirá un taller centrado en las habilidades esenciales para reforzar la expresión artística y la confianza de los participantes.
Calendar
Monday, November 17, 2025
10:00 - 18:00 First Round / Tenerife International Viola Competition 2025 / Chamber Music Hall, Auditorio de Tenerife
Tuesday, November 18, 2025
09:00 - 15:00 Masterclasses and coaching / Conservatorio Superior de Música de Canarias
10:00 - 13:00 Rehearsals / with the Schumann Quartett / Chamber Music Hall, Auditorio de Tenerife
19:30 Viola and piano recital / Chamber Music Hall, Auditorio de Tenerife
Timothy Ridout, viola | Enrico Colli, piano
Wednesday, November 19, 2025
09:00 - 15:00 Masterclasses and coaching / Conservatorio Superior de Música de Canarias
10:00 - 13:00 Dress Rehearsals with the Schumann Quartet / Chamber Music Hall, Auditorio de Tenerife
18:00 Final Round / Tenerife International Viola Competition 2025 / Chamber Music Hall, Auditorio de Tenerife
Thursday, November 20, 2025
09:00 - 15:00 Masterclasses and coaching / Conservatorio Superior de Música de Canarias

Acknowledgements
Applying
Entries for this call must be submitted online exclusively and must include the following documentation:
Online entry form: Complete all required fields.
Scan of the candidate's passport or identity card: Must be sent in PDF format.
Candidate's artistic biography: A brief summary including education, career, and artistic achievements.
Candidate's photo: Must be a copyright-free image suitable for publication.
YouTube link: An unlisted link to the candidate's selected repertoire for the preliminary round.
Video quality: 720p or higher
High-quality microphone
Bank receipt of the bank transfer to pay the registration fee (€50) in PDF format.
· Bank: Openbank
· Account holder: Asociación Cultural Resonancias
· Description: Tenerife International Viola Competition 2025
· BIC/SWIFT: OPENESMM
· IBAN: ES02 0073 0100 5305 0624 7061
Early Applications are highly encouraged.
The application deadline is July 1, 2025
Staying in Tenerife
The candidates will have to arrange his/her own travel and housing.
· Hotel Atlántico Centro, on the main street of the most central area of Santa Cruz de Tenerife, offers individual rooms to our participants for 38€ per night. To make a reservation, send an email to nuevohotelatlantico@gmail.com mentioning your participation in Tenerife International Viola Competition 2025.
· Hotel Adonis Pelinor and Hotel Adonis Plaza in the center of Santa Cruz are well connected in terms of transport (both bus and tram).
Contact
tenerifeviolacompetition@gmail.com
Inscripción
La solicitud de inscripción en esta convocatoria debe realizarse exclusivamente de forma online y debe incluir la siguiente documentación:
Formulario online de inscripción: Completar todos los campos requeridos
Escáner del pasaporte o documento de identidad del candidato/a: Debe enviarse en formato PDF
Biografía artística del candidato/a: Un breve resumen que incluya la formación, trayectoria y logros artísticos
Foto del candidato/a: Debe ser una imagen sin derechos de autor, adecuada para su publicación
Link de YouTube: Un enlace en modo oculto que contenga el repertorio seleccionado por el candidato/a para la ronda preliminar
Calidad del vídeo: 720p o superior
Micrófono de calidad adecuada
Resguardo bancario de la transferencia correspondiente a la cuota de inscripción (50€) en formato PDF
· Banco: Openbank
· Titular de la cuenta: Asociación Cultural Resonancias
· Asunto: Tenerife International Viola Competition 2025
· BIC/SWIFT: OPENESMM
· IBAN: ES02 0073 0100 5305 0624 7061
Inscripciones hasta el 1 de julio de 2025
Alojamiento en Tenerife
El alumnado será responsable de organizar su viaje y estadía.
· Hotel Atlántico Centro está situado en la calle principal de la zona más céntrica de Santa Cruz de Tenerife, ofrece habitaciones individuales a nuestros participantes por 38€ la noche. Para realizar una reserva envía un email a nuevohotelatlantico@gmail.com mencionando tu participación en Tenerife Viola Masterclass 2024.
· Hotel Adonis Pelinor y Hotel Adonis Plaza situados en el centro de la capital de la isla de Tenerife y muy bien conectados con el transporte público.
Contacto
Application Form / Formulario de Inscripción
